No, Pop Music Isn’t Getting Dumber
Did you know that over the last ten years, pop music has gotten measurably dumber? That's the premise of a data-visualization blog post by ticket reseller SeatSmart that's making the online rounds, helped along by a writeup in Complex. The author, SeatSmart staffer Andrew Powell-Morse, writes that he "analyzed 225 songs in 4 different datasets, resulting in 2,000+ individual data points" — specifically, songs that "spent at least a few weeks (3+) at #1 on the Billboard charts for Pop, Country, Rock, and R&B/Hip-Hop."
Then, he added punctuation and plugged their lyrics into Readability-Score.com, which analyzes a chunk of text and outputs reading levels using a bunch of different preexisting scales.
Here's what he found:
And here are the average scores by genre:
Average US Reading Level by Grade:Clearly, society is crumbling, and clearly Kanye West is leading the idiocy brigade.
Country: 3.3
Pop: 2.9 (tie)
Rock: 2.9 (tie)
R&B/Hip Hop: 2.6
Well, not really, because the whole thing is an exercise in silliness. The most thorough debunking of Powell-Morse's analysis comes from none other than Powell-Morse. Here's how he explains the between-genre differences:
There are a lot of reasons for this. Remember that I mentioned that word length plays a role? Well, Country is the only genre generally devoid of words like “oh” or “yeah” repeated 20 times in a row. Sorry everyone else, but if you say it in the song, it’s counted as a “lyric.”Wait, so simply adding an extra oh brings down the reading level? I was skeptical, so I went over to Readability-Score.com and entered in the super-smart sentence fragment catastrophic fallibility, which of course scored through the roof. Then I added one oh after another, turning the phrase into catastrophic fallibility oh, catastrophic fallibility oh oh, and so on. Sure enough, on all the reading-level scales the site uses except for one (thank you, SMOG Index, whatever you are), each oh really did bring down the fragment's score, and therefore the overall "average reading level." And when I plugged words like cigarettes or Mississippi into the system, it really did rate them quite highly.
But it’s also about the syllables. Country music is full of words like Hallelujah, cigarettes, hillbilly, and tacklebox. Add to that long place names like Cincinnati, Louisville, Mississippi, and Louisiana, and Country has a serious advantage over the competition.
Unfortunately for Pop and R&B/Hip-Hop, places like L.A. and New York just don’t score that many points. But take a song like Dani California, and you’ll see that throwing in the word “California” more than a dozen times can make a real difference.
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